Harmon Phoenix 200 (35mm): A Bold Step into Color Film
Discover Harmon Phoenix 200, the company’s first color film stock that brings vintage warmth, unique halos, and nostalgic tones to your photos. Shot at box speed on a Canon Rebel G with a 50mm f/1.4 lens, this film delivers a cinematic aesthetic perfect for storytelling. Learn about its technical qualities, artistic potential, and the exciting release of its 120 medium format version. Perfect for photographers seeking mood-driven creativity!
Challenges in Film: Kodak Color Plus 200 Exploration
Exploring the charm of Kodak Color Plus 200 was both a learning experience and a test of patience. From a mysteriously blank roll to challenges with its fixed ISO and a subtle blue cast, my first encounter left room for improvement. While the results fell short of expectations, standout moments showed its potential. With two rolls waiting, I’m eager to revisit this film stock with renewed curiosity!
Reviewing Cinestill 800T (35mm)
In my exploration of Cinestill 800T, I discovered its cinematic allure and the need to account for reciprocity failure. Balancing metering for highlights and shadows is key for an exquisite exposure. Stay tuned for more photographic adventures!
Film Review of Kodak Tri-x 400TX (35mm)
Diving into the world of Tri-X 400TX, I discovered its timeless charm. This film delivers classic black-and-white beauty. Read my review to explore the enduring allure of 400TX.
Kodak Portra 400 (35 mm) Review
I explore the allure of Kodak Portra film – from lantern festivals in Buffalo to the scenic beauty of McIntyre Bluff. Embrace imperfections as lessons learned.
A (Re)Introduction to Film Photography
Caught between the decline of film photography and its recent revival, my experience with film has been unconventional and limited despite early exposure. From struggling with a point-and-shoot in high school to owning a faulty Canon AE-1 in college, I’ve never had a fair shot—until now. With a Canon EOS Rebel G and expired film, I’m finally giving film a real try.